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The Synth-Pop Duo's Musical Force Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) formed Soft Cell alongside Marc Almond at Leeds in 1977

Dave Ball, one half of the pioneering 1980s electronic music band Soft Cell, has died at the age of 66.

Together with singer Marc Almond, the team achieved a worldwide hit with their cover of Gloria Jones' Tainted Love in 1984, and their debut album their initial full-length release is considered a seminal work of electronic music.

He subsequently formed the innovative electronic act The Grid, who secured popular acclaim with 1994's the hit Swamp Thing.

Ball passed away peacefully in his sleep at his home in London on Wednesday 22 October, only a short time after performing a headline show with Soft Cell at the Rewind music event in Henley-on-Thames.

Health Struggles

At that show, Ball performed in a mobility chair, as he had for the previous couple of years, after a period of ill-health.

"I ended up damage myself significantly," he commented in a recent interview. "I broke spinal bones in my back and cracked about multiple ribs and fractured my wrist."

Following catching pneumonia and developing sepsis, he was put in an medically-induced sleep and stayed in hospital for seven months.

Nevertheless, he had been in "a great place emotionally" during the summer, as he was developing a new album with Almond, titled Danceteria, which is set for release in the coming year.

"He was focused and so happy with the new album that we literally finished only a short time ago," said the vocalist in a heartfelt message.
"It's truly heartbreaking as next year was all set to be such an positive time for him, and I take some solace from the knowledge that he listened to the finished record and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the vanguard of the synth-pop movement in the early 1980s

Tributes

Almond referred to his bandmate as "an exceptionally talented creative mastermind", stating: "He was the core essence of Soft Cell and I'm very proud of our body of work.

"Many thanks Dave for being an significant aspect of my life and for the music you gave me. I wouldn't be where I am without your influence."

Richard Norris from The Grid, also paid tribute, remembering Ball's "constant humor" and "unwavering friendship".

"Forming a duo with someone is distinct from joining a group, the connection is incredibly close," he continued.
"That's how it was with us. We experienced so many extraordinary, extraordinary, life-affirming moments together. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at a radio station in 2018

Formative Years

Brought into the world into a single-parent household in the city of Chester in 1959, Ball was put up for adoption when he was 18 months old.

He grew up in the seaside town with adoptive parents Donald and Brenda Ball, who altered his given name from his birth name to his adopted name, together with his sibling his sister, who was also adopted.

He met Almond at Leeds Polytechnic in the late 70s, where they were both studying art. Fuelled by a shared love of a music genre, they formed Soft Cell the same year, and quickly produced an extended play.

Musical Partnership

The pair were an distinctive pairing: Ball was the reserved musician, bent over his synthesizer, while Almond was a charismatic showman, all sparkle and makeup; but they attained a rare creative synergy.

Ball had cultivated a fascination with synthesizers after watching the band Kraftwerk perform on BBC science show a popular series, and began to combine dark electronica to the soaring melodies Almond was composing.

Their signature song became the UK's second biggest-selling song of 1981, shifting millions of units worldwide. Alongside successful tracks by other artists, Human League and Ultravox, it contributed to paved the way for the synth-pop sound of the 80s.

The song was also featured on their full-length debut, Non-Stop Erotic Cabaret, which spawned two additional high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the record up with the separate release, Torch, which reached at number two in 1982.

Soft Cell in the studio
The pair were developing fresh songs until just before Ball's death

Professional Journey

Success had its benefits. "I enjoyed being able to purchase my initial property, having financial security and travelling, which might seem like a beauty queen," Ball not long ago shared with a music magazine.

But it also presented challenges. "Sudden riches allowed we could purchase substances to alleviate the boredom" of press appearances and TV performances, Ball said.

"I realize that's a cliché, but it's a truism for a good reason, because it works for so many musicians."

Amidst the hedonistic lifestyle, the duo were also drifting apart, but they managed to create a follow-up classic album - the wayward, edgy and fittingly named The Art Of Falling Apart.

They put out one more LP, 1984's This Last Night In Sodom, before dissolving the band to focus on other projects.

Almond proceeded to have a successful solo career, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed dance music with melodic sounds over a enduring collaboration.

Reunions and Final Projects

Soft Cell came back together in 2001, producing the Top 40 record Cruelty Without Beauty.

Following another break, they reappeared in 2018, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a final performance at the large venue on September 30, that year.

However, they remained active, recording their latest project, Happiness Not Included, during the 2020 restrictions.

Ball lately characterized the duo's new album as a homage to the NYC nightlife they frequented while recording their initial records.

He noted that his time in medical care had influenced the group's music.

"I experienced unusual memories when I was in and out of the hospital because I was on morphine," he explained to a music magazine.
"The new songs are a electronic representation of the sounds in my head from those days.
"In parallel, it's about the experiences we had in the 80s."

The last versions were finished only a short time before Ball died. It is scheduled for release in Spring 2026.

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By

Benjamin Brown

Award-winning music producer and sound designer with over 15 years of industry experience, specializing in electronic and ambient genres.

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