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Film Analysis: Band Frontman Jason Williamson Assumes Role in Sceptical Look at Ecstasy Generation Era

Helmed by Bristol sound co-founder the musician-producer, this scabrous though slight first film casts a critical gaze on 90s rave culture. Self-serving pillhead David (the actor) initially steals from an unconscious dealer, then in another flashback tries to break into his own family home. In no time, he's overturned in the wreckage of his car in a woodland – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with impatience toward city dwellers, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”

A Shaky Start and Grimly Amusing Duel

Game gets off to a shaky start, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his safety harness, while awkwardly transitioning into past scenes of his everyday life. The bigger point – that the rave-era youth were primarily out for number one – is clearly conveyed. But these vignettes are too thin to adequately prepare us for what to expect when the Poacher turns up, enraged after David kills his dog. Nevertheless, a grimly amusing duel takes hold – David eager to get away; the Poacher denying his container of scrumpy, intent on soaking him instead in embittered discourse. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.

Stylish Imagery and Promo-Inspired Sensibility

Just a single important plot development, but it leads to a hilariously staged chaotic run on the woodland paths that dips close to rural terror. Director John Minton finally gets to go all in with his showy imagery: where he was hunkered down doing impressionistic closeups of bugs in headlights in the early stages, he now goes all out with the full psychedelic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an extended promo than a complete narrative, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.

Game is in British and Irish theaters from November 17.

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By

Benjamin Brown

Award-winning music producer and sound designer with over 15 years of industry experience, specializing in electronic and ambient genres.

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